Showing posts with label Letters from Iwo Jima. Show all posts
Showing posts with label Letters from Iwo Jima. Show all posts

Monday, May 2, 2011

One Foot in Heaven

It's been a crazy ride these past few days, and some absolutely amazing things have happened. I honestly feel like I've had one foot in heaven this weekend--the awesome just keeps rolling in. Never mind that I have an exam in T-minus four hours...I think pop culture holds its rightful place in my life.

First up: let's take a hit of Pot. I'm talking about Harry Potter-- or more specifically, the recently released Harry Potter and the Deathly Hallows Part 2 trailer that has everyone buzzing. I'm guessing that most everyone has seen it, but on the off chance that you haven't, update yourself right here:

If that doesn't get you pumped for the summer premiere of one of the most epic series conclusions of all time....then you don't have a soul. Seriously-if you're not on the HP bandwagon yet, get on it. There's still time. But you do not want to miss out on the magic of this last installment (get it?? magic??). For once, the hype is right (can't say the same for Twilight, though).

Secondly, I have to touch on the Royal Wedding. I was beyond stoked for "the social event of the decade" because, in the words of Jon Stewart, "Prince William is marrying a muggle" (see that awesome HP segway there? I am hilarious)! I'm slightly ashamed to admit that I refused sleep all of Thursday night and instead had myself a very regal celebration: first, I caught the last half hour of The Queen (2006), which I'd seen before in theatres (but more on that later), then I cracked open my newly-purchased copy of The King's Speech (2010), and finally I flipped over to BBC's live coverage of the main event. Yes, I had quite the busy night (so busy I just had to skip school the next day...). Kate's dress was amazing, and the whole event was enough to convince me that fairy tales really do exist...I'm now actually hoping to marry the remaining prince-the ginger one-and move into Buckingham palace with the royal fam. Fingers crossed.
(Side note: The King's Speech gets better and better every time I see it...it's really grown on me. It was especially exciting to watch it Thursday knowing that it's the story of Prince William's great-grandfather...and that it concluded on the same balcony that saw the end of the public portion of Will and Kate's perfect royal ceremony).

Next, I feel like I just have to throw in a mention of the Bin Laden capture because it's so epic and historical. And it happened just before I was about to pop in tonight's movie so I got delayed a couple hours due to intense news watch-age. Totally worth it. Go Team America.

Finally, we arrive at tonight's movie--and a major milestone in the BPC!! After conquering Babel (2006), I have officially completed my first entire year on this list...that is, I have seen every film nominated for Best Picture in 2006. Congratulations, me, it's about time I knocked out one of these!
Babel tried very hard to get somewhere special, but it set out in so many different directions that it ended up mostly just jogging in place. I get that it was trying to be an edgy, shocking exploration of the limitations of language and the buried similarities of the human experience all over the world-- and to a certain degree, it succeeds in this endeavor--but for the most part it's just dizzying, dramatic, and dripping with sadness. Still, the Moroccan scenery was breathtaking and certain players, like Brad Pitt, for example, managed to shine through the structural fog.

2006 was a pretty solid year for movies, if you ask me. With Babel bringing up the rear and Little Miss Sunshine sliding in at fourth place (I loved this charming little comedy but it can't hold a candle to the remaining three), the year's winner is tough to determine. I hated The Queen when I saw it (twice) in theatres five years ago- but I was 13 then, and this one is a little too grown-up to be appreciated by a seventh grader. Now, I'm absolutely fascinated by this picture and I'd love to give the whole thing another careful watch (since I only caught the end last week). Obviously Letters from Iwo Jima sucked me in...it's certainly one of the best war movies of recent years. Still, I have to side with The Academy when I choose my winner for 2006: The Departed.


The Scorsese was sizzlin, the DiCaprio was dazzlin- and that Flogging Molly track was indescribably perfect. This is one of those movies you just can't stop thinking about even months after you've watched it- one whose twists and turns keep you reeling long after you've put the DVD back to bed. Love it.

Saturday, April 23, 2011

Places in the Heart

Every once in a while, you stumble across a movie that sears through to your very core and reminds you why we go to the movies in the first place. Tonight, I've found just such a movie. Letters From Iwo Jima(2006).

To say that this film was "good" would be an understatement. Letters stretches beyond the mechanics of a great war movie to reach places in the heart we might not even realize are there. Exploring the human capacity to sacrifice and endure, this film brings grim reality to a famous battle most of us know only from our history textbooks.

Movies about World War II aren't all that hard to come by, and most of them have taken the same dramatic form in treating the conflict. This one finally breaks free from the patriotism-soaked melodramas of norm and breathes life into the ever-silenced American enemy. Told almost entirely in Japanese, the story follows shockingly relateable soldiers from the Imperial ranks as they prepare for and suffer through the bloodiest battle in the bloodiest war of all time. I use the word "shockingly" because I know that none of us would expect to have something in common with a Japanese soldier from the 1940's, as we have been taught our whole lives that they are cold, calculating killers of American soldiers who deserved every bit of the pain we inflicted on them. One of the greatest achievements of this film is proving our long-standing perception wrong, and forcing us to stare unblinking into the eyes of our "enemy"-- one who is now hardly distinguishable from our own brother.

Remember when I said that Clint Eastwood is the man? This movie pretty much cements that statement. His directing here is absolutely flawless, and as if that weren't enough, he had to help compose the tearfully beautiful instrumental score(his aid for this composing job was his own son, Kyle Eastwood!). Seriously, Clint? Let's at least give the other poor schmucks in Hollywood a chance at looking good. As it stands now, basically every other movie-maker in the world pales in comparison to this cinematic demi-god. The way he blends terrifying, sweeping battle scenes of violence with tender, deeply human moments is something only an expert like him could do right.


Ken Watanabe (top) has impressed me before. His turn in Inception (2010) was certainly nothing to scoff at. But here, he one-ups everything he's done before while bringing life to the strong, compassionate General Kuribayashi. Despite his best efforts, though, he doesn't get to win this movie.

Hollywood newcomer Kazunari Ninomiya (bottom) gets to be this movie's winner. His raw, fearless portrayal of young foot soldier Saigo breaks down all the walls surrounding a foreign fighter and makes us fall in love with him--in ways we never expected. Eastwood did a tremendous job selecting Nino, because he is the absolute perfect choice for this type of role: besides his considerable acting chops, he's got the correct look to pull it off. His lovable baby face and short, scrawny stature instantly catch us off guard because we're expecting him, as an enemy soldier, to be hulking and homely. By puncturing this first stereotype, Kazunari is able to crash through all others by showing us the human side of the other side.

I can't believe how much I liked this movie. I honestly did not anticipate that it could capture my attention at all...but it ended up capturing a whole lot more than my attention. A visceral, heart-breaking, daring examination of the human soul, Letters tops the list of the vast body of work on World War II...and throws itself to the heights of the decade's greatest pictures.