One Foot in Heaven

It's been a crazy ride these past few days, and some absolutely amazing things have happened. I honestly feel like I've had one foot in heaven this weekend--the awesome just keeps rolling in. Never mind that I have an exam in T-minus four hours...I think pop culture holds its rightful place in my life.

First up: let's take a hit of Pot. I'm talking about Harry Potter-- or more specifically, the recently released Harry Potter and the Deathly Hallows Part 2 trailer that has everyone buzzing. I'm guessing that most everyone has seen it, but on the off chance that you haven't, update yourself right here:

If that doesn't get you pumped for the summer premiere of one of the most epic series conclusions of all time....then you don't have a soul. Seriously-if you're not on the HP bandwagon yet, get on it. There's still time. But you do not want to miss out on the magic of this last installment (get it?? magic??). For once, the hype is right (can't say the same for Twilight, though).

Secondly, I have to touch on the Royal Wedding. I was beyond stoked for "the social event of the decade" because, in the words of Jon Stewart, "Prince William is marrying a muggle" (see that awesome HP segway there? I am hilarious)! I'm slightly ashamed to admit that I refused sleep all of Thursday night and instead had myself a very regal celebration: first, I caught the last half hour of The Queen (2006), which I'd seen before in theatres (but more on that later), then I cracked open my newly-purchased copy of The King's Speech (2010), and finally I flipped over to BBC's live coverage of the main event. Yes, I had quite the busy night (so busy I just had to skip school the next day...). Kate's dress was amazing, and the whole event was enough to convince me that fairy tales really do exist...I'm now actually hoping to marry the remaining prince-the ginger one-and move into Buckingham palace with the royal fam. Fingers crossed.

(Side note: The King's Speech gets better and better every time I see it...it's really grown on me. It was especially exciting to watch it Thursday knowing that it's the story of Prince William's great-grandfather...and that it concluded on the same balcony that saw the end of the public portion of Will and Kate's perfect royal ceremony).

Next, I feel like I just have to throw in a mention of the Bin Laden capture because it's so epic and historical. And it happened just before I was about to pop in tonight's movie so I got delayed a couple hours due to intense news watch-age. Totally worth it. Go Team America.

Finally, we arrive at tonight's movie--and a major milestone in the BPC!! After conquering Babel (2006), I have officially completed my first entire year on this list...that is, I have seen every film nominated for Best Picture in 2006. Congratulations, me, it's about time I knocked out one of these!

Babel tried very hard to get somewhere special, but it set out in so many different directions that it ended up mostly just jogging in place. I get that it was trying to be an edgy, shocking exploration of the limitations of language and the buried similarities of the human experience all over the world-- and to a certain degree, it succeeds in this endeavor--but for the most part it's just dizzying, dramatic, and dripping with sadness. Still, the Moroccan scenery was breathtaking and certain players, like Brad Pitt, for example, managed to shine through the structural fog.

2006 was a pretty solid year for movies, if you ask me. With Babel bringing up the rear and Little Miss Sunshine sliding in at fourth place (I loved this charming little comedy but it can't hold a candle to the remaining three), the year's winner is tough to determine. I hated The Queen when I saw it (twice) in theatres five years ago- but I was 13 then, and this one is a little too grown-up to be appreciated by a seventh grader. Now, I'm absolutely fascinated by this picture and I'd love to give the whole thing another careful watch (since I only caught the end last week). Obviously Letters from Iwo Jima sucked me in...it's certainly one of the best war movies of recent years. Still, I have to side with The Academy when I choose my winner for 2006: The Departed.

The Scorsese was sizzlin, the DiCaprio was dazzlin- and that Flogging Molly track was indescribably perfect. This is one of those movies you just can't stop thinking about even months after you've watched it- one whose twists and turns keep you reeling long after you've put the DVD back to bed. Love it.

Friendly Persuasion

I can't help but feel this tiny pang of disappointment in the wake of last night's Oscar ceremony, as my favorite movies of the year went home empty handed and the two major pictures "The Social Network" and "The King's Speech" proceeded to soak up nearly every award available. Every one of my predictions for the awards came true- except, oddly enough, my Best Picture pick. Although I knew that Speech was the front-runner from the get-go, I figured that the Academy would ultimately side with the jazzy modern flick rather than the archetypal Oscar bait, as it has appeared to be going younger for the past two consecutive years with its "The Hurt Locker" and "Slumdog Millionaire" picks...but again, I was just putting too much faith in the organization. Academy, I'm really starting to doubt your wisdom. Not to say that Speech wasn't any good though- it certainly deserves some accolades. Just maybe not all the accolades.

James Franco and Anne Hathaway did a tremendous job hosting the ceremony. I thought it was a particularly good one, definitely aimed at the younger demographic this year. This is their charmingly funny opening movie montage:



As for the BPC, I know that the show must go on. I have to wait another year before the Oscars come around again (which is pretty depressing...like that grey-cloud feeling a little kid gets the day after Christmas), so I should really get cracking on those movies again before the next time they light up that Kodak theater. I jumped back into it tonight, though tired and strapped down with homework, by conquering A Man For All Seasons (1966).
Usually these old, bare historical pictures tug at my eyelids, but not this one. I found Seasons to be a rich, brilliantly acted, even suspenseful tale to remind us of the good old days of Hollywood. It was interesting to watch a regal Best Picture winner so soon after rolling my eyes at this year's British royalty victor...perhaps it's to these simpler cinematic times that the Academy was hearkening back when it selected Speech.
Anyway, I quite enjoyed this film (I imagined myself saying that sentence in a British accent in my head). Sir Thomas More astonishes us with his moral fortitude and unwavering piety, played to perfection by Paul Scofield, who undeniably deserves the Best Actor Oscar he received for this work. I also found Robert Shaw's bombastic King Henry VIII to be a real scene-stealer and I wonder why he lost out on the Best Supporting Actor Oscar in this year (though I haven't yet seen any of the other nominees' performances, so I guess I really can't judge).

A quick tally of my list tonight told me that, to date, I've watched 68 of the films on my long queue, leaving 417 movies to be watched in the 305 remaining days of the year. Much of that time must be taken out, too, considering that in the fall I will be headed to college and therefore unable to sit for hours on end and watch any movie I want. Thus, it appears that I need to step up my game pretty intensely if I want to finish up by the end of the year. Or perhaps I can use some friendly persuasion on my parents so they will allow me to drop out of school and take up movie-watching as my fulltime occupation. I guess we'll see what happens...

Spellbound

So I had typed out a long, articulate page predicting each category of tomorrow's Academy Awards...and then my computer shuts down the internet. I'm about to fall asleep after a long day of trekking all over DC, so though I'm bursting with excitement for tomorrow's festivities and though I expect to be fully spellbound by the results, I'm going to make these predictions quick.
Keep in mind that this year is a tight race and no category is completely dominated, so these are just speculations.

Best Supporting Actor
Nominees:
Mark Ruffalo, "The Kids Are All Right"
John Hawkes, "Winter's Bone"
Christian Bale, "The Fighter"
Geoffrey Rush, "The King's Speech"
Jeremy Renner, "The Town"
Ok, so I don't have too much credibility here because I have yet to see some of these performances. Still, I'm going to put my money on Christian Bale. The buzz surrounding his work here is too loud to ignore, and you have to admit that his physical transformation for the role was pretty hard core.

Best Supporting Actress
Nominees:
Amy Adams, "The Fighter"
Hailee Steinfeld, "True Grit"
Jacki Weaver, "Animal Kingdom"
Melissa Leo, "The Fighter"
Helena Bonham Carter, "The King's Speech"
Bonham Carter was pretty good in her quiet turn as the queen and Steinfeld is young, new, and prime for receiving an award, but I'm going to go with Melissa Leo, again choosing to believe the rumors and jump on the bandwagon without havin seen the performance. She's a solid bet though, especially considering that many contend that she was snubbed for her work in "Frozen River", so this could be the Academy's chance to make amends.

Best Actor in a Leading Role
Nominees:
Javier Bardem, "Biutiful"
Jesse Eisenburg, "The Social Network"
Collin Firth, "The King's Speech"
James Franco, "127 Hours"
Jeff Bridges, "True Grit"
This one is hard because I'm basically in love with James Franco and was brought to tears by his mind-blowing performance, but I still know that the Oscars aren't always about what's technically better. Collin Firth's work was also very moving...few could pull off a loveable stutter as effortlessly as this guy, so he's my pick. The rest of the bunch fall shamefully short of Franco and Firth; the winner is sure to be either one of them.

Best Actress in a Leading Role
Nominees:
Annette Bening, "The Kids Are All Right"
Natalie Portman, "Black Swan"
Michelle Williams, "Blue Valentine"
Jennifer Lawerence, "Winter's Bone"
Nicole Kidman, "Rabbit Hole"
Natalie Portman. I'd be pretty shocked if anyone else took the cake.

Best Director
Nominees:
Tom Hooper, "The King's Speech"
David Fincher, "The Social Network"
David O. Russel, "The Fighter"
Darren Aronofsky, "Black Swan"
Joel and Ethan Coen, "True Grit"
This category is tough to call because everyone did a good job. Again, I find my preference (here, Aronofsky) clashing with who I think will win (here, Tom Hooper). I fully expect King's Speech to sweep and I think that Hooper's easy style will help him be part of the broom. However, it is highly likely that David Fincher could jump in here and win with his groundbreaking, talked-about work.

Best Animated Feature
Nominees:
"How To Train Your Dragon"
"The Illusionist"
"Toy Story 3"
I'm almost positive that Toy Story 3 will be the victor here. The poignant close to the franchise totally deserves to be rewarded.

Best Editing
Nominees:
"Black Swan"
"The Fighter"
"127 Hours"
"The Social Network"
"The King's Speech"
The edgy editing style of The Social Network is my pick to nab the award in this category, although "The King's Speech" will surely be lurking in the shadows...this will be another super-close section where Network and Speech will duke it out.

Best Original Screenplay
Nominees:
"The King's Speech"
"Another Year"
"Inception"
"The Fighter"
"The Kid's Are All Right"
The King's Speech. It's all part of its sweep.

Best Adapted Screenplay
Nominees:
"127 Hours"
"The Social Network"
"True Grit"
"Toy Story 3"
"Winter's Bone"
Is this really a question? I feel as though no other movie stands a chance when The Social Network or Speech stand in its way.

Best Picture
We know the nominees. We know the frontrunners. We know my favorite (127 Hours, doomed to stay a nominee forever). Now all that's left is to pick a winner, and my guess is The Social Network. It's a defining film that many enjoyed(including myself, though I wasn't blown away) and I think it's a serious contender. This category, the most important one there is, will boil down to the final round of Network vs Speech.

Those are the only categories I really care about. Expect to see "Inception" grab the technical awards like visual effects (barring an "Alice in Wonderland" upset) and an epic showdown between a classic and a new wave; the uplifting and the bloodless; Speech and Network. Who's excited?? I am!!!!

The Right Stuff

It's true...I lost nearly a week of movies, and I have no idea how I'm going to make it up. Our school has this ill-placed week-long break stuck in the middle of February, and my family used the first part of it to go skiing in Breckenridge. I learned two things: that I'm not destined to be a skiier, and that next time I should pack a couple DVDs to save myself from late night cable. My whole body is sore from countless awkward falls into the powder, and I really can't stand to see one more episode of a poorly written cookie cutter crime drama.
Anyway, the point is that I lost a lot of time and I'm just about to lose some more. Tomorrow I leave for North Carolina, and Friday, I jet off to Washington DC and don't return home until Sunday. How am I going to recover all these days of missed movies? I guess I'll have to double up this summer...

Sunday, February 27th is just four short days away...and I'm almost counting down the seconds. It's the biggest day of the year if you ask me...more exciting than Christmas and more meaningful than my birthday. That's right, this Sunday night marks the eve of the Oscar ceremony, a night when cinematic history will be written. I anticipate a lively and entertaining broadcast, as Anne Hathaway and my future husband James Franco are slated to host the event. The Academy better have made some wise choices, because there will be one angry kid out there if JFranc (like the nickname??) and 127 Hours go home empty-handed. I've listed them before, but in the name of simplicity, here are the nominees for Best Picture:

1. Inception Mind-blowing. How else can you describe it? This one achieves a rare double victory, pleasing the pickiest of critics and exploding into a box office success all at once. Though I'm skeptical that it has a chance amidst all these other attention-grabbers, I'd say Inception can still dream of gold (get it...dream?!).

2. The Fighter Still haven't seen it! I know, I know, I'm a major slacker. This one just didn't look all that good to me in the commercials. I just feel like the tough-Boston-down-on-his-luck guy thing has been way over done, and so has the whole boxing thing. I mean, we have The Departed (2006) (amazing flick) and Million Dollar Baby (2004) (still need to see this one!)...so what do we need The Fighter for?? Maybe just to see Christian Bale slim down to cancer-victim size.

3. Toy Story 3 Love it! But it won't win in this category...I'm 99% sure (though I'm just as sure it will take the cake in the Animated Feature category). This one really hit home for me because I'm also going to college in the fall, and I feel just like Andy, giving up my childhood and driving off into the sunset...I definitely needed the tissue box to make it to the closing credits.

4. Black Swan Interesting. Very interesting. I found it both haunting and wildly entertaining, and ended up heading back to the theater more than once to really digest this one. It's a very original piece of work, with brilliant cinematography and directing (though Darren Aronofsky is no Danny Boyle). Natalie Portman deserves the Oscar for throwing herself into this twisted ballet world.

5. True Grit Haven't seen this one either! If I had to base my opinions on those of my friends, though, this one isn't winning anything.

6. 127 Hours I can't say enough good things about this movie. This one is my favorite for sure. If you haven't seen it, GO NOW! I'm still reeling over the fact that Danny Boyle didn't get a director's nod for his highly original work here, and I will be reeling if JFranc doesn't win his Oscar (though he will find some tough competition in Collin Firth).

7. The Kids Are All Right So I haven't seen this one either...but from what I've heard and read, it's not that great of a film. It's only nominated because of its progressive subject matter...or at least, that's what I've gathered. I'll get around to seeing it eventually (it's on my list!) and have some sort of opinion to share.

8. The Social Network Ehhh...it's alright. Quirky, cute, a little shocking sometimes...but Best Picture material? I don't think so. But although I don't think it's worthy of the golden man, The Academy may very well think it is come Sunday night. I guess we'll see.

9. Winter's Bone Ok, you got me...I didn't see this one either. So I'm not exactly qualified to be making all of these predictions. But here's another one I'm going to make anyway: The Academy won't be throwing this dog a bone (another pun?? I'm on fire tonight!). These Sundance-born indies still don't seem to have the wattage that a major studio film like Inception has.

10. The King's Speech I've said it before, and I'll say it again: this movie is overrated!! I'm not saying it's not good, because it is, but it's not the best of the bunch by any stretch (and I haven't even seen the whole bunch yet!). Still, if I was a bettin man, I'd say the odds are very much stacked in this one's favor.

So there you have it, a round-up of my current opinions as we head into the final days before the Oscars. It'll be a real nail-biter waiting to hear the verdict on these movies, with the top contenders (in my mind) being The Social Network, The King's Speech, Inception (maybe), and (I know it's probably just a pipe dream, but I'm gonna keep on dreaming) 127 Hours. The others, I think, are not nearly as likely to win. We'll see on Sunday night which film has the right stuff to become number one.

Now for the challenge, something I've been putting off lately. I watched American Beauty (1999) tonight and found it very...interesting. Despite being laden with graphic language and occasionally obscene images, the film felt poetic and graceful all the way through. Kevin Spacey, ever the acting savant, puts up a fantastic performance as a confused, aimless middle-aged man, and Annette Benning, a current nominee whose fate will be decided Sunday night, shines in her also-nominated turn as a repressed wife on the edge. Chris Cooper also surprises in his gritty portrayal of the homophobic neighbor. A twisted, sordid take on the American family deserving of pensive analysis.

The Last Picture Show

I've slipped behind in the BPC due to a fierce affliction of the flu, but even this phlegm-rattling cough and these feverish aches cannot stop me from making at least a little bit of progress. Friday night I went out to the movies with one of my friends, and we saw not just one but two movies before going home. I felt so sick that I thought, by the time movie #2 came around, I was entering the last picture show I'd ever attend, and that death would soon be claiming me. Somehow, though, I made it through alive. The first film of Friday evening was The King's Speech, a nominee for 2010 that I had yet to see, and the second film was 127 Hours (it might have been my third time seeing it in theaters, but I still cried like a baby and left just as spell-bound as I did the first time). In an attempt to prevent myself from falling too behind, I managed to fit a viewing of Slumdog Millionaire(2008) in on Saturday afternoon.

The King's Speech consensus:
Somewhat overrated. Sure, it was good. Uplifting, funny, gripping at times. A charming movie, in itself, but comparatively speaking it isn't all that fantastic and shouldn't take the cake in February. Held next to jaw-droppers like Black Swan, Inception, and my very favorite, 127 Hours, this one pales considerably and fails to take hold in our heads and hearts. And while Collin Firth gives a commendable performance, he's no James Franco (I hope the Academy doesn't snub Franco like the Hollywood Foreign Press Association did at the Globes).

Slumdog Millionaire consensus:
Incredible. A powerful, heart-wrenching, exhilarating celebration of the irrepressible human spirit. Such a tragic picture of his past is painted that we hope for Jamal Malik(Dev Patel)'s success so desperately that when his triumphant moment finally arrives, we're practically leaping out of our seats with him. Danny Boyle is rapidly becoming my favorite director (I can't stop talking about his latest uplifter), as this film instantly jumped up into the ranks of my most favorite movies.

I've noticed that I've practically been writing books for each post, so in an effort to be more concise, I'll end the rambling here tonight. I'm not sure which movie I'll watch before I go to bed tonight (I can't afford to skip another night!) but I'm sure I'll have a lot to say about it tomorrow.